| Director | Nuri Bilge Ceylan, Peter Weir |
|---|---|
| Box office | $766,669 |
Yusuf, a young factory worker who recently lost his job, travels to Istanbul to stay with Mahmut, one of his relatives, while looking for a job. Mahmut is a rather wealthy and intellectual photographer, whereas Yusuf is almost illiterate, uneducated, and unsophisticated. The two do not get along well. Yusuf assumes that he will easily find work as a sailor but there are no jobs, and he has no sense of direction or energy. Meanwhile, Mahmut, despite his wealth, is aimless too: his job, which consists of photographing tiles, is dull and inartistic; he can barely express emotions towards his ex-wife or his lover. When Yusuf goes to bed during a film, Mahmut switches channels to watch porn the moment he's gone.
Mahmut attempts to bond with Yusuf and recapture his love of art by taking him on a drive to photograph the beautiful Turkish countryside, but the attempt is a failure on both counts. At the end of the film, Yusuf leaves without telling Mahmut, who is left to sit by the docks, watching the ships on his own.