| Director | Boris Malagurski |
|---|---|
| Budget | $21,850 |
The film provides a background history of Yugoslavia, from the medieval Battle of Kosovo to the 1912 incorporation of Kosovo into the Kingdom of Serbia and then to the formation of Josip Broz Tito's Socialist Federal Republic of Yugoslavia after World War II. It discusses the persecution of Kosovo Serbs after World War II, as well as alleged plans by Nationalists to create an ethnically pure Greater Albania.
The film claims that U.S. interests in Yugoslavia promoted "a market-oriented Yugoslav economic structure" through the National Endowment for Democracy, and the G17 Plus as part of a policy of "privatization through liquidation" that increased ethnic tensions in the late 1980s and early 1990s. Western nations, both openly diplomatically and covertly militarily, supported separatist groups and encouraged conflict so that NATO could be installed as peacekeepers for their own interests. A cigarette factory that was bombed by NATO was later bought by Philip Morris, which the film presents as an example, that the purpose of the war was economic colonization of the country.
The film claims Yugoslavian leaders such as Slobodan Milošević, Franjo Tuđman and Alija Izetbegović were focused only on power, and not on the well-being of their people and they, along with the local media, mobilized public opinion in favor of conflict. These tensions led to the 1990s Yugoslav Wars, which culminated in the Kosovo war.
The film presents the fall of Srebrenica "as a stage-managed ploy by the Bosnians and Americans to justify NATO military intervention against Serbia". Interviewee Srđa Trifković asserts that there are "trustworthy witnesses" who claim that Bill Clinton had indicated that "5,000 dead Muslims would be the price of NATO intervention" and that these witnesses believe that "Srebrenica was deliberately sacrificed by Izetbegović in order to provide this burnt offering to the White House". The film also presents the Srebrenica "civilian death toll as no larger than the number of Serbs killed in the surrounding area".
The film includes interviews with the widow of Josip Reihl-Kir (former police chief of Osijek, Croatia) and the widow of Milan Levar along with the story of Srđan Aleksić, who saved a Muslim man from an attack by soldiers of the VRS. There is footage of the village Vrhbarje in Bosnia where Serbs and Bosniaks lived together up to the end of the Bosnian war, but were then separated – as the Muslim Bosniaks, left for their own entity.
The film argues that, in the aftermath of the war, the policies of the International Monetary Fund and the World Bank further demonstrated that Eastern European states were not meant to be equals with the European Union and the West, but rather were only seen as markets for Western goods and sources of cheap labor. The film portrays an increase in the debt of the former Yugoslav countries by showing how much tax money each citizen of the former Yugoslavia would have to pay in order for their countries to be debt-free.
premiere of the film at the BELDOCS Film Festival at the Kinoteka theater in 2011]]