| Director | Tim Mielants |
|---|---|
| Budget | $3 million |
| Box office | $14.4 million |
In late December 1985, Bill Furlong is a hard-working coal merchant living in the Irish town of New Ross with his wife and five daughters. He regularly delivers coal to the local convent, where one day he sees a teenage girl being forcibly admitted there. The incident triggers Bill's memories of his difficult childhood as the son of a young single mother, ostracised by her family but permitted to work for Mrs Wilson, a wealthy and independent landowner, along with recollections of Ned, a farmhand on the estate whom Bill later suspects may have been his father.
On his next visit, Bill enters the convent to deliver an invoice and sees girls doing laundry and cleaning floors. One girl approaches him and desperately asks him to help her escape the convent. A nun scolds him for entering the convent unescorted, and he leaves. He returns home and violently scrubs his hands while washing them, recalling his mother's sudden death and his subsequent life with Mrs Wilson. Overcome with emotion, Bill collapses to the bathroom floor. He tells his wife Eileen what happened at the convent, and she urges him not to interfere in the affairs of the laundry, arguing that the girls have nowhere else to go. He replies that he and his mother were fortunate that Mrs Wilson had not shared Eileen's views.
Some time later, Bill sets off early to make a delivery and finds another girl, Sarah, locked in the convent's coal shed in freezing temperatures. She tells him that she is due to give birth in five months. Bill takes her inside and is led to the cosy office of Sister Mary, the convent's mother superior. After being washed and changed, Sarah is brought into the office and, when questioned by Sister Mary, says that the other girls locked her in the shed as part of a game. Her manner suggests that she was locked in the coal shed by a member of the convent as a form of punishment. After Sarah is led away, Sister Mary questions Bill about his family. She implies that if he speaks about what he has seen, his younger daughters may be denied places at the adjacent school run by the nuns. She then gives him a Christmas card containing cash for his wife Eileen. As Bill is led out of the convent, he sees Sarah again, asks for her name, and offers to help her.
Later, after Sister Mary mentions the card to her, Eileen asks Bill about it and finds the envelope in his jacket pocket. Surprised by the cash inside, she asks why he did not give it to her earlier, and he says that he forgot. Bill later visits his mother's grave before going to Ned's house, where the new owner tells him that Ned has moved to a nursing home after contracting pneumonia. Noting Bill's striking resemblance to Ned, she assumes that they are related and asks whether Ned is his uncle. Bill does not reply.
Bill later visits the local pub, whose owner, Mrs Kehoe, advises Bill to toe the line and not speak out about the convent because of the nuns' influence in the community. One evening, Bill goes to buy his wife a Christmas present, and on the way home, sees a jigsaw like one he had earlier told his children he had received as a child. He enters a barber shop and recalls sitting in a similar chair as a boy, pulling faces at Ned. He also remembers a snowball fight with Ned, hugging him warmly, sharing a hot drink with him at Mrs Wilson's house, and watching Ned comfort and kiss his mother. He then recalls Ned holding the body of Bill's mother and abruptly leaves the barber shop.
Bill returns to the convent and finds Sarah locked in the coal shed again. After reassuring the frightened girl, he leads her out of the convent grounds and openly through the town, eventually carrying her to his home. There, he takes her hand and brings her inside to meet his family.
The film closes with a dedication to the 56,000 female victims of the Magdalene laundries, which were in operation from 1922 to 1998, and their children that were taken from them.