| Director | Habib Faisal |
|---|
In the town of Almor, the Chauhans and the Qureshis are rival political families with a history of hostility. Parma Chauhan, the wayward grandson of political patriarch Surya Chauhan, struggles for validation in his family due to his reputation as a troublemaker. Zoya Qureshi, the spirited and assertive daughter of Aftab Qureshi, aspires to enter politics but is discouraged by her conservative Muslim family.
During a heated election campaign, Parma and Zoya clash repeatedly but gradually develop mutual attraction. They fall in love and elope, with Parma converting to Islam and assuming the name Parvez. After a staged marriage ceremony, the two consummate their relationship and have sex in an empty train. Parma later reveals that the wedding was a ruse designed to dishonor Zoya and avenge an earlier humiliation. Heartbroken, Zoya attempts to retaliate but is stopped by Parma's mother, Parvati, who urges her son to honor his actions. When Parvati tries to protect the couple, Surya fatally shoots her, prompting Parma to turn against his family and protect Zoya.
Forced to flee, the couple seeks refuge in a brothel managed by Chand Bibi. Although Zoya initially suspects Parma of betrayal, she begins to forgive him as he expresses remorse. They eventually reconcile and marry in a legitimate ceremony. Hoping for reconciliation, Zoya brings Parma to her home, but her father threatens to kill her. The couple escapes once again, planning to flee to Jaipur. However, their families join forces to track them down, viewing their union as a threat to both political legacies and religious boundaries.
Cornered on a college rooftop during Eid, Parma and Zoya engage in a final standoff with their pursuers. With no escape and few bullets left, they choose to shoot each other, dying in each other's arms. Their families depart, believing the matter settled. The film concludes with a message highlighting the tragic consequences faced by interfaith and intercaste couples in contemporary India.