| Director | Robert Mulligan |
|---|---|
| Budget | $4 million |
The film narrates the coming-of-age story of a teenager hailing from an Italian-American working-class family, specifically a household of construction workers in the Bronx. Tommy De Coco and his brother Louis, affectionately known as Chubby due to his robust build, toil as laborers on construction sites, embodying the life and family values prevalent among immigrant Italians in the working-class milieu of the Bronx. This includes the macho posturing of men, the traditional role of the wife in the kitchen, the marriage to a virtuous girl, and the premarital exploration among vivacious, pleasure-seeking women. Numerous issues remain unaddressed, and the family grapples with finding solutions to certain behaviors, such as the younger son Albert's refusal to eat, leading to the development of an eating disorder.
Stony De Coco, Tommy's elder son, finds himself torn between his allegiance to the family and the desire to break free from the described social context. While Tommy dreams of a joint venture, envisaging "De Coco and Son" working together on a construction site, Stony envisions a different path; he aspires to work with children. Through the intervention of a well-meaning doctor, he seizes the opportunity to work as a rehabilitation assistant on a children's ward in a hospital, delving into the realm of working with children. There, he discovers fulfillment, delighting in narrating uplifting stories to the young ones. However, in the eyes of Tommy, such endeavors are deemed as women's work.
In search of support beyond his immediate family, Stony forges a romantic relationship. After parting ways with Cheri, a spirited young woman, he embarks on a relationship with Annette, a disco waitress, who becomes his pillar of support in challenging his father's macho traditions, particularly the patterns of excessive alcohol consumption and the treatment of women. Adding further complexity to the familial dynamic, Stony's mother, Marie, grapples with borderline personality disorder.
Stony grapples with the egocentrism and harsh methods of his father but is reluctant to completely sever ties with the family. He must carve out his own path. The film concludes with Stony leaving the family, accompanied by his psychologically distressed brother Albert.